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A Caselet on Memory, Place, and Trauma: The Anguish of Partition in Manto’s “Toba Tek Singh” – Dr. Sushyni Kothuri

22nd January 2026

Medium Link: https://medium.com/@sushynik/a-caselet-on-memory-place-and-trauma-the-anguish-of-partition-in-mantos-toba-tek-singh-e98fae0926da

Course Relevance

This caselet is designed for the following of BBA/ BCOM/BCA:

  • Literature and Cultural Studies

Explores trauma narratives, symbolic critique, and postcolonial literature.

  • Partition Studies / Modern Indian History

Examines the human cost of the 1947 Partition using literary evidence.

  • Psychology and Memory Studies

Analyzes disorientation, identity breakdown, and memory trauma.

  • Political Science & Public Policy

Highlights state bureaucracy, border-making, and political violence.

  • Narrative Studies and Comparative Storytelling

Studies how memory, place, and trauma operate across texts and media

Academic Concepts

The caselet draws on established theories in marketing, behavioral design, and learning sciences:

  • Trauma Theory (Caruth, 1995):

Shows how overwhelming events disrupt memory, language, and identity — embodied in Bishan Singh’s fragmented speech.

  • Collective Memory & Counter Memory (Foucault, 1977; Halbwachs, 1950):

The asylum acts as a counter-archive preserving memories erased by official Partition narratives.

  • Chronotope (Bakhtin, 1975):

Time and place collapse in the story; borders invalidate lived geographies like Toba Tek Singh.

  • Linguistic Trauma (LaCapra, 2001):

Distorted language reflects ruptured selfhood and political displacement.

  • Postcolonial Identity & Space (Bhabha, 1994):

“No man’s land” becomes a liminal zone where identity resists national boundaries.

Background

Two years after the Partition of India, the governments of India and Pakistan planned an exchange of inmates from mental asylums—an administrative extension of the mass population transfers already underway. Saadat Hasan Manto’s short story Toba Tek Singh exposes the absurdity and brutality of this bureaucratic act by framing it within the world of “lunatics” a space where madness becomes a metaphor for political irrationality.

The asylum becomes a miniature subcontinent, where the inmates’ confusion mirrors the disorientation of millions displaced by the sudden emergence of borders. Their questions “Are we in India or Pakistan?”, “Where is Lahore now?”, “What is Pakistan?” reveal a deeper crisis of memory and belonging.

Situation

The inmates do not understand the logic of Partition, but they experience its consequences viscerally. National borders disrupt not only their physical location but also their internal geography of memory. The dislocation produces a psychological rupture: the loss of place, loss of home, and loss of self.

Individual inmates cope with this rupture differently:

  • A Muslim inmate identifies Pakistan as “the place where cut-throat razors are made,” reflecting the violent birth of the nation.
  • Others imitate leaders like Jinnah and Master Tara Singh, adopting fractured political identities.
  • An Anglo-Indian inmate worries not about borders but about being served “bloody Indian chapatis”—a tragicomic reminder of colonial hangovers.

The state’s logic sees the inmate exchange as routine administrative work. The inmates experience it as catastrophic erasure.

Key Interventions

The Trauma of Dislocated Geography

For the inmates, Partition annihilates the fundamental relationship between memory and place. Identity fractures as maps overwrite lived geographies.

  • “If this is India, then where is Pakistan?”
  • “If this used to be India, how did it suddenly become Pakistan?”

This spatial trauma creates an existential crisis deeper than mere confusion: the loss of a place-name becomes the loss of self.

The Lawyer of Lahore

The lawyer who loses his sanity after a love affair demonstrates the tension between emotional memory and political geography.
His tragedy reveals:

  • Emotional place (love in Amritsar)
    vs.
  • Professional place (career in Lahore)

The border forces an impossible choice between memory and future.

Bishan Singh: The Embodiment of Partition Trauma

Bishan Singh—Toba Tek Singh—is the most powerful symbol in the story.

Once a prosperous Sikh landlord, he has lost chronological memory but retained a deep, instinctual place-memory. His nonsensical refrain — “Uper the gur gur…” — is the linguistic residue of trauma.

His single coherent question—“Where is Toba Tek Singh? In India or Pakistan?”—captures the wound of Partition more effectively than any political argument.

When God (another inmate) tells him, “It is in neither India nor Pakistan,” the absurdity crystallizes: the state has unmade his world so completely that even the divine cannot locate it.

When Fazal Din, his old friend, hesitates between “India” and “Pakistan,” the last thread holding Bishan Singh to reality snaps.

Comparative Case Studies on Memory, Place, and Trauma

Dory (Finding Nemo / Finding Dory) – Internal vs. External Memory Loss

  • Dory suffers neurological memory loss.
  • Bishan Singh suffers politically imposed memory dislocation.
  • Dory finds home; Bishan Singh cannot, because his home has been politically erased.

Bade Pappa (Rocky Aur Rani Kii Prem Kahaani) – Emotional Place vs. Political Place

  • Bade Pappa retains emotional memory despite dementia.
  • His emotional past gives closure.
  • Bishan Singh’s emotional and physical geography is denied closure.

Gautam’s Father (Dookudu) – Protected Memory vs. Violated Memory

  • The family recreates the old world to shield him from trauma.
  • In Toba Tek Singh, the state forces trauma on already fragile minds.
  • One story protects memory; the other destroys it.

Climax: The No-Man’s-Land of Identity

During the chaotic handover at the border, Bishan Singh’s refusal to cross into either country becomes an act of ultimate resistance.

He stands between the barbed wires—neither Indian nor Pakistani—declaring the ground beneath his feet as Toba Tek Singh.

When he collapses and dies, he occupies:

  • a place with no name,
  • no ownership,
  • no country.

Manto uses this to deliver a searing truth: Partition killed not just bodies, but places, names, identities, and memories.

Bishan Singh dies in the only space left that is not a lie.

Epilogue: Lessons Learned

·  Borders cannot rewrite lived memory.

·  Trauma lives in bodies, language, and place.

·  Bureaucracy often erases empathy and history.

·  Identity collapses when geography is uprooted.

·  Literature becomes an archive for memories that the state chooses to forget.

Teaching Note

Learning Objectives

After engaging with this caselet, students will be able to:

  • Analyze memory, trauma, and identity using literary evidence.
  • Apply trauma theory to interpret post-Partition narratives.
  • Examine the symbolic role of space and geography in fiction.
  • Evaluate the relationship between political decisions and personal suffering.
  • Compare trauma narratives across media and cultures.

Key Discussion Points

·  How does madness function as political commentary?

·  What happens when a place loses its name?

·  How do personal and public traumas intersect in Partition narratives?

·  Why does Bishan Singh’s linguistic fragmentation matter?

·  Can a border ever be neutral?

Suggested Classroom Activities

1. Role Play
Students reenact the border scene, highlighting chaos, bureaucracy, and identity confusion.

2. Map vs. Memory Exercise
Students draw the “mental map” of Toba Tek Singh before and after Partition.

3. Comparative Trauma Analysis
Groups analyze Dory, Bade Pappa, and Gautam’s father through memory studies frameworks.

Discussion Questions

·  How does the asylum function as a counter-archive to state history?

·  In what ways does Bishan Singh’s speech embody linguistic trauma?

·  What does his refusal to cross the border reveal about identity?